Making A Horror Comic

I’m very excited to share yet another new project that’s been in the works for a while now. I’ve been tasked with drawing a short horror comic by the hilarious and horrifying writer/comedian, Tim Vargulish.

In this latest video I give a little sneak peek of a rough comic book page, the process of setting up a comic page using Clip Studio Paint (which is a breeze, btw) and drawing a finished panel.

If you’re interested in drawing comics yourself, I highly recommend this software.

Aside from that, I’m jazzed to have illustrated the cover for Krampus Tales: A Killer Anthology, which will be available on November 24th! Check it out and maybe get yourself a copy.

Krampus creature steps out of doorway into a dark snowy night with basket on his back.

I’ve also just realized that I haven’t shared anything about my Halloween this year. Despite the nearly apocalyptic conditions, we did enjoy the holiday. I’ll cover it in more detail in my next blog post.

By the way, are you on Twitter? Why not join me for some laughs and whatnot.

Until next time!

Krampus Tales Cover Reveal

Finally, I can share some new art with you!

I started this project early in 2020, just before the…unpleasantness, but it feels like three years ago at this point. It’s been difficult for me to keep this under wraps for so long, I just wanted to burst!

I was tasked with creating the cover artwork for a holiday horror anthology to be released by Jazz House Publications.

Krampus Tales: A Killer Anthology will feature various talented authors and is scheduled for release on November 24th, so mark your calendars.

Disturbing Depths


Butch coughed up the last of his tobacco smoke as the screams escaped the mouth of the mine.

“You hear that?” he looked at Red. The bug-eyed man gripped his rusty pickaxe tight across his chest.

A low vibration started in their boots; an explosion deep in the tunnel. Hot air and dust erupted, knocking them to the ground. Through the cloud, Young-Johnny came running, face bloodied, and a fine rope trailing behind.

As he reached daylight, the rope glinted then snapped taut, pulling him backward off his feet. Arms flailing, trying to grab ahold of anything, Johnny shrieked, “Spiders!”


Nothing of Value

His empty hands dripped with sweat as he approached the altar on his knees. The creature with a million dead eyes was waiting, its many orifices watering, towering over the small human.

“I know that you crave constant stimulation,” he said, “and you demand new content continuously,” he put his hands up, “but as an artist, I just can’t do it. I have nothing of value to offer today.”

The beast reared back and howled, pulling taut the thousands of cables running from its body. It thrashed. It shrieked. Drops of saliva rained down. The artist shielded his head and vital organs, anticipating a swift yet painful execution.

But the beast turned away, laughing and gurgling, distracted by another’s offering; something loud, flashy, and viral. That would buy the artist some more time.

He crawled into a dark corner of the temple, where, being enveloped by the whirring of giant cooling fans, he could have a moment to just be human and think.