Forgive me followers, I have sinned, it’s been about six months since my last blog post.
I set myself some ambitious goals at the start of the year. But then I promptly forgot them, made some new goals, gave up on those, circled back to the first ones, fell into a creative slump, told myself that I need to just read more, got a second creative wind, decided to study French (pas pour la première fois), thought more about the original goals, binge-watched the second season of Mindhunter on Netflix, I had a turkey sandwich, and now I am here. Maybe just a quick nap first…
I’m not going to lie, the past six months haven’t been completely devoid of creative work, but I always feel like I should be doing more.
I’d like to share some stuff I’ve been working on recently. That hideous scene of eldritch horrors above is one of a handful of things added to my portfolio page. If anyone is in need of any Lovecraftian artwork for a book cover or to accompany any short stories, please let me know. I’d love to find some creative people to collaborate with!
I go through periods in which I focus on one medium to the detriment of all others. You could say I become obsessed. I recently decided again to work on this polymer clay maquette above, which I had started about three years ago. This is one of my latest goals, to finish this vulture goddess sculpt soon. We’ll see what happens.
The video above is my most recent work-in-progress, a follow up to probably my favorite piece from last year. Definitely the spiciest from last year. This is one of the last steps after the ink and watercolors have dried, the removal of the masking fluid. I should probably start the time-lapse recording a bit earlier next time, I’m just never confident enough that the piece will be successful.
Stay tuned for the finished piece and hopefully some other new weirdness.
I can’t say for certain what led me to that desolate graveyard, but I believe it all started when I stumbled upon that mysterious box and the accursed relic hidden within.
I had been summoned to settle the estate of my late Uncle Thaddeus. He had toiled in the art history department at Miskatonic University for years until his bizarre and highly publicized death last year, as you may recall.
While navigating the labyrinth of his antiquarian abode, I was drawn to a peculiar wooden box. The squamous, bronze figure housed within gave me a chill and left me gibbering like a madman.
Something compelled me to abscond with it immediately. If I walked for hours or days, I could not tell. But in the end, that strange energy led me into an old graveyard, to a very specific headstone, beneath an imposing, cyclopean obelisk.
There I found myriad offerings left by the hands of other pilgrims. Who, I imagined, burning with the same fever, traveling for days or weeks, suffering from the same delirium as I, whispered the words, “Cthulhu fhtagn.”
Last year I got involved in a pretty cool robotics project. Luckily, I don’t need to know much about the robot part. A group of local Cub Scouts decided that they want to make a robotic, shoulder-mounted dragon puppet. Pretty ambitious. I volunteered to sculpt this model of the baby dragon.
This sculpture is comprised of polymer clay on a wire armature. It was designed so that the head, the wings, and the tail are removable. This should help in the molding process. I will be posting a more in-depth tutorial on the design and sculpting process very soon. Stay tuned.